One of the most pristine and panoramic beaches in kannur- India. We stayed here to attend the Theyyam rituals particular to North Kerela. The bonus was the stunning Beach reached by the backwater pool left by the tide which was out.
This was one of our most unexpected highlights of the trip which I did on 2015, but also one of the most welcome, it is fast becoming a popular place to go as more and more people discover it, I would highly recommend it before it gets overrun with holiday makers, oblivious to it’s deeper beauty!
One of the hardest things when photographing this was because of the unstinting sunlight, getting the colour of the sand right and trying to get it the correct colour. A near impossible task!
In 2015 i spent 5 months in Southern India, and photographed the Mysore Palace during the day. This huge area has four gates and many temples inside the grounds. What follows is some historical info ;
Mysore Palace is the central piece of Mysore’s attractions. The sprawling Mysore Palace is located in the heart of Mysore city. Rather the roads out of Mysore city appears radiating from the palace.
The interior of Mysore Palace is richly carved, intricate, colorful and architecturally thrilling.
It is from this palace the erstwhile rulers , the Wodeyars, ruled the Mysore Kingdom (see Maharajas of Mysore ).
Though Mysore is often referred to as the “City of Palaces”, the term Mysore Palace refers to the largest and the most opulent of all its surviving palaces located in the city center, called the Amba Vilas Palace.
Mysore Palace history spans for more than 500 years. But what you see now in Mysore is the modern palace built in 1912. As mentioned earlier the first palace was built during 14th century by the then Wodeyar kings. After the fall of Vijayanagar , and the subsequent power shifts in the region, Raja Wodeyar moved the capital to Srirangapatna from Mysore in 1610.
The palace in Mysore however continued to serve as a royal residence. The palace is basically a three storied structure with a 44 meter ( 145 feet ) central tower. Pinkish marble domes adorn the number of towers configured in perfect symmetry.
The first attraction is the Doll Pavilion as you enter the museum. Antiques made of gold, silver, marble , ivory from around the world are on display. Some of them as old as 900 years.
The central portion of the palace is a huge court open to the sky. Beyond is the royal Marriage Hall (Kalyana Mantapa ) , the most awe-inspiring portion of the palace.
The five storied tower of the palace makes a majestic dome over this hall. The walls along the corridors are decorated with oil paintings of royal themes. A host of ceremonies and festivals of the bygone era is depicted in these painting in all its vividness and details.
In this slide show you will get a look at some of the wonderful places to visit when you are in srirangapatna, starting at ; Masjid-i-Ala (also called Jama Masjid)
Colonel Bailey’s Dungeon
Ragantha Swamy Temple
Dariya Daulat Bagh-Summer Palace
Srirangapatna was the scene of the last and decisive battle fought between Tipu Sultan and a combined force of 50,000 men provided equally by the Nizam of Hyderabad and the East India Company under the overall command of General George Harris. This battle was the last engagement of the Fourth Anglo-Mysore War. The Battle of Seringapatam, 1799, was truly momentous in its historic effects.
At the battle’s climax, Tipu Sultan was killed within the fort of Seringapatam, betrayed by one of his own confidants; the spot where he ultimately fell is marked by a memorial. For the last time in history, Seringapatam had been the scene of political change in the Sultanate of Mysore. The joint forces of the victorious army proceeded to plunder Seringapatam and ransack Tipu’s palace. Apart from the usual gold and cash, innumerable valuables and objects d’art, not excepting even the personal effects of Tipu Sultan, his rich clothes and shoes, sword and firearms, were shipped to England.
Shah Jahan was a member of the Mughal dynasty that ruled most of northern India from the early 16th to the mid 18th-century. After the death of his father, King Jahangir, in 1627, Shah Jahan emerged the victor of a bitter power struggle with his brothers, and crowned himself emperor at Agra in 1628. At his side was Arjumand Banu Begum, better known as Mumtaz Mahal (“Chosen One of the Palace”), whom he married in 1612 and cherished as the favorite of his three queens.
Did You Know? According to one gruesome (and most likely sensational) story, Shah Jahan had his minions cut off the hands of the Taj Mahal’s architect and his workers after the structure was completed, ensuring they would never build another of its kind.
In 1631, Mumtaz Mahal died after giving birth to the couple’s 14th child. The grieving Shah Jahan, known for commissioning a number of impressive structures throughout his reign, ordered the building of a magnificent mausoleum across the Yamuna River from his own royal palace at Agra. Construction began around 1632 and would continue for the next two decades. The chief architect was probably Ustad Ahmad Lahouri, an Indian of Persian descent who would later be credited with designing the Red Fort at Delhi. In all, more than 20,000 workers from India, Persia, Europe and the Ottoman Empire, along with some 1,000 elephants, were brought in to build the mausoleum complex. Design and Construction of the Taj Mahal Named the Taj Mahal in honor of Mumtaz Mahal, the mausoleum was constructed of white marble inlaid with semi-precious stones (including jade, crystal, lapis lazuli, amethyst and turquoise) forming intricate designs in a technique known as pietra dura. Its central dome reached a height of 240 feet (73 meters) and was surrounded by four smaller domes; four slender towers, or minarets, stood at the corners. In accordance with Islamic tradition, verses from the Quran were inscribed in calligraphy on the arched entrances to the mausoleum, in addition to numerous other sections of the complex. Inside the mausoleum, an octagonal marble chamber adorned with carvings and semi-precious stones housed the cenotaph, or false tomb, of Mumtaz Mahal. The real sarcophagus containing her actual remains lay below, at garden level.
The rest of the Taj Mahal complex included a main gateway of red sandstone and a square garden divided into quarters by long pools of water, as well as a red sandstone mosque and an identical building called a jawab (or “mirror”) directly across from the mosque. Traditional Mughal building practice would allow no future alterations to be made to the complex. As the story goes, Shah Jahan intended to build a second grand mausoleum across the Yamuna River from the Taj Mahal, where his own remains would be buried when he died; the two structures were to have been connected by a bridge. In fact, Aurangzeb (Shah Jahan’s third son with Mumtaz Mahal) deposed his ailing father in 1658 and took power himself. Shah Jahan lived out the last years of his life under house arrest in a tower of the Red Fort at Agra, with a view of the majestic resting place he had constructed for his wife; when he died in 1666, he was buried next to her. The Taj Mahal Over the Years
Under Aurangzeb’s long rule (1658-1707), the Mughal empire reached the height of its strength. However, his militant Muslim policies, including the destruction of many Hindu temples and shrines, undermined the enduring strength of the empire and led to its demise by the mid-18th century. Even as Mughal power crumbled, the Taj Mahal suffered from neglect and disrepair in the two centuries after Shah Jahan’s death. Near the turn of the 19th century, Lord Curzon, then British viceroy of India, ordered a major restoration of the mausoleum complex as part of a colonial effort to preserve India’s artistic and cultural heritage.
Today, some 3 million people a year (or around 45,000 a day during peak tourist season) visit the Taj Mahal. Air pollution from nearby factories and automobiles poses a continual threat to the mausoleum’s gleaming white marble facade, and in 1998, India’s Supreme Court ordered a number of anti-pollution measures to protect the building from deterioration. Some factories were closed, while vehicular traffic was banned from the immediate vicinity of the complex.
In 2015 I spent 5months travelling around Southern India. One of the things that struck me the most was there were so many Temples! This one in Mysore is the second in my video collection.
Chamundi Hill is about 13 kms from Mysore, which is a prominent city in Karnataka State of India. Chamundi Hills is famous not only in India but also abroad. ‘Chamundi’ or ‘Durga’ at atop of the hil, the famous Sri Chamundeswari Temple is the fierce form of ‘Shakti’. She is the slayer of demons, ‘Chanda’ and ‘Munda’ and also ‘Mahishasura’, the buffalow-headed monster.
She is the tutelary deity of the Mysore Maharajas and the presiding deity of Mysore. For several centuries they have held the Goddess, Chamundeswari, in great reverence.
In ‘Skanda Purana’ and other ancient texts, it is mention a sacred place called ‘Trimuta Kshetra’ surrounded by eight hills. lying along side of west is the Chamundi Hills, it is one among the eight hills. In the earlier days, the hill was identified as ‘Mahabaladri’ in honour of God Shiva who resides in the ‘Mahabaleswara Temple’; this is the oldest temple on the hills.
Jantar Mantar of Jaipur is one of the five observatories constructed by Jai Singh II. Ujjain, Delhi and Varanasi are the other cities that house the remaining Jantar Mantars but there remain no traces of the one at Mathura.
Among the many instruments that are part of this observatory is the world’s biggest sundial. Jantar Mantar is located just a stone’s throw from City Palace and Hawa Mahal and features instruments made of stone and brass that were built using instrument design principles from ancient texts.
In all there are 19 instruments that help observe astronomical positions with the naked eye. Jantar Mantar is a fine example of Ptolemaic positional astronomy and has instruments that operate in each of the three main classical celestial coordinate systems: the ecliptic system, the horizon-zenith local system and the equatorial system.
When it suffered some damage in the 19th century, Major Arthur Garrett, an amateur astronomer who was posted as the Assistant State Engineer in Jaipur, undertook the first major restoration work on Jantar Mantar. As of 2010, Jantar Mantar has been included in the list of UNESCO World Heritage sites and remains a gem of Jaipur that cannot be missed.
In 2015 I journeyed round the southern part of the Indian Continent. Starting in Goa and working my way round the peninsula to Chennai. In the beautiful state of Kerala I stopped in Varkala and after my amazing experience with the Theyyam traditional worship of the Gods in Malabar, I was keen to see the Kathakali.
Photography is not allowed inside the palace and is stictley enforced. So I took images of the outside before my visit inside.
The Palace of Mysore is a historical palace in the city of Mysore in Karnataka, southern India. It is the official residence and seat of the Wodeyars — the rulers of Mysore, the royal family of Mysore, who ruled the princely state from 1399 to 1950.
In 2007 I visited India in the Rajistan region. During my search for the famous Hevelis I visited Shekhawati, Nawalgarh, Mandawa, Jhunjuno, Fatephur and Dunlod. This slideshow is the collection from all these locations. They were all in different conditions ranging from derelict and falling down to part lived in to completely restored. I have tried to reflect this in my selection of images and even put a couple of images of the restoration drawings put on the walls to guide the artists during restoration. Haveli- Is a huge private mansion in India or Pakistan. The Rajasthani havelis were constructed by the wealthy Marwari community in the Shekhawati region of Rajasthan in the 19th century. A haveli typically has two courtyards one for the men and the inner one for the women, the walls were adorned with beautiful colourful frescoes painted by commissioned artists. The themes were usually images of Gods, Goddesses & animals. Mandawa, Ramgarh, Fatehpur are dusty little towns in the Shekhawati area that have many old havelis, which in their glorious days would have been a treat to the eyes, but even today have not lost their timeless beauty. A handful of these havelis are being restored and given a new lease of life by private organizations, historians & architects. Some of them have been converted into heritage hotels.
Sri Chamundeshwari temple is the most famous temple in Mysore, a city in the Southern state Karnataka. It is located on the top of Chamundi hill which is about 3,489 ft. above sea level and situated at a distance of 13 kms from Mysore. Named after the Goddess Chamundeshwari or Durga, this temple is considered as one of the Shakti Peethas. It is known as Krouncha Pitham. I was visiting it on my 5mth tour round southern India
In 2015 I was fortunate to be travelling round the Southern part of India on a 6mth Journey of Indian Culture and discovery. In the place of Malabar in the state of Kerela I was deeply honoured to meet Kierian from “Costa Malabar” who arranged for me to not only visit but film and photograph openly some 3 Theyyam ceremonies. Lasting from a couple of hours to all day and all night and most of the next day. A tiring experience for the onlooker but a marathon for the participating Gods.
The people of Malabar and the Gods made me feel most welcome and it was a deeply touching cultural experience I will never forget. I can only hope that these images and videos give you a taste of what I witnessed.
The worshipping place of Muthappan is called Madappura.Many Madappuras are there in North Malabar .Of all such Madappuras; Parassani Madappura is the most prominent. Here Muthappan devotees of Muthappan who throng here being supplied with Tea, steamed pear and a small piece of coconut. Relief and consaltion is accorded to all devotees of Muthappan who come here and conolation is accorded to all devotees of Muthappan who come here and after the lighting of the lamp called Deeparadhana.Devotees are blessed with the ‘Holy Darsan’ by both Cheriya Muthappan and Valiya Muthappan when they conduct Thirivappana Vellattom
